Yesterday, while cleaning my bathrooms, I was thinking about success, and normalcy, and The Meaning of Life. (I was also singing along, in a vague and thoughtless way, to my "play everything" MP3 list, but that hardly matters to the narrative unless you happen to be fourteen and find your mother generally annoying but excruciatingly annoying when she's singing.) Because here's the deal: this weekend is my twenty-year high school reunion. And somewhere between the last reunion and this one, the edict that declared Amy Sorensen as Uninviteable to Reunions was lifted.
Meaning they invited me.
Meaning I had to decide whether or not I would go.
You have to understand: I keep in touch with one person I went to high school with, Jenn. And by "keep in touch" I mean: I send her a Christmas card every year. And I'm her Facebook friend, which allows me occasional glimpses into her life. The relationships I had in high school were all complicated by stuff like boyfriend stealing, socioeconomic levels, jealousy, and insecurity. Normal adolescent angst, I know, but nothing you could build a life-long friendship upon. (My one life-long friendship from adolescence, with Chris, maybe was helped along by the fact that we didn't go to the same high school. Well, and the fact that she is fabulous and wonderful and always has my back---in the non-backstabbing sense.)
And also there's this: I am a completely different person than I was in high school. And yeah, I know. People change. Everyone is different, twenty years later. But they all started out as normal, and changed from there. Not me. When those people knew me---as much as you "know" anyone when you're a teenager---I was a black-wearing, bleached-blonde, drinking-coffee-at-three-in-the-morning, sluffs-weeks-and-weeks-of-school, disdainful and pissed off and depressed kind of girl. I got in loud arguments with principals and I sat in silent back corners of classrooms, glowering; I mocked cheerleaders and football players and student body presidents, band geeks and AV geeks and AP scholars. They all, it seemed, tried desperately to obtain normal, while I scorned it. I didn't want to be normal. I wasn't destined for normal. My package of wounds was proof that my life would bring me anything but normal.
Yet here I am, twenty years later. And fairly normal. How do I show up to a reunion with my normal self on? I would feel like anyone I talked to was thinking "wow, she was a freak, but she turned out normal." Especially because stepping into that milieu would overwhelm me with my memories of trying so hard to be abnormal. "All that rebellion and weirdness," I think they would think, "and she still ended up in the same place we did: married, with children, living in suburbia." Well, sort of. Not in exactly the same place. A smaller house and smaller income than most of them.
Normal, but less successful.
So I'm scrubbing toilets, and I'm feeling bitter that three clean bathrooms are giving me this overwhelming feeling of success. When did a scrubbed bathtub and the absence of that goo that gathers at the bottom of the toothbrush cup make me feel like I had accomplished something? All the angst and the heartache and the black velvet amulet full of wounds which were going to make me someone extraordinary didn't do much of anything for me. I still ended up with rubber gloves on, a toilet brush in my hand, singing along to the new Train song and wondering if anyone of the male persuasion ever learns how to aim. Which is, of course, where most people end up.
When I gave up my goth-girl ways, I thought that striving for normal would bring me, eventually, to normal. That being normal would mean being successful. Being happy. But now that I am here in normal---admittedly, somewhere on the fringe of it, barely clinging on, but here at least---I feel like somewhere I took the wrong path. Like I wasn't honest with myself; like "normal" is a sort of jacket I pulled over my naked and abnormal self while what I should have done was walked with a little bit of bravery in my own skin.
And really, when it comes down to it, that is what the idea of a high school reunion does to me (and the reason I really didn't care that I wasn't invited before) : it opens up this great big contradiction. I mocked normal because I thought it was a form of pretending, and then I turned around and chased it. I became the person pretending to be normal. The person who holds up a clean bathroom or two as proof: look, look, can you see how normal I am? Because I don't know what scares me more. High school alumni looking at me and thinking "after all that rebellion, she turned out so normal." Or if they thought "wow, something's still odd about that girl."
That's a whole lot to pack into one dinner with some people I used to know. After all, that's what I do. I take a topic, and I think about it, and I unravel its edges, and I worry it some more, and then it's all a grungy, tangled mess in my brain. That tendency to sit in my (metaphorical) corner and overthink things is part of what fed my adolescent troubles, and twenty years later, I'm still doing it. Maybe in that sense, I haven't changed all that much. Maybe you can take the girl out of her black clothes (well, sort of), you can get her to grow out brunette and to exchange coffee for sleep---but you can't take the dark out of the girl.
However: my bathrooms are clean now.
The Police: A Concert Review of Sorts
This summer marks the 20-year anniversary of my friend Chris and I meeting. Something far larger than me made sure we were in the same group at our telemarketing jobs, and we became instant friends—kindred spirits, you might say. She was one of my adolescent years’ biggest blessings; it is hard to explain what she means to me. Like no one else in my group of high-school friends, she had my back. She knew me and loved me and even took care of me when I was at my most unlovable phase. She is the keeper of all my past secrets. But we don’t get to see each other enough, now that we’re all grown up. So when the chance came up—even though I felt guilty about leaving my kids for the night—I went to The Police concert with her.
And I am so glad I did.
Because going to a concert like that reminds me of how it felt to be my old self. The scents of beer, cigarette smoke, bodies, warm grass, surrounded by pieces of conversation and laughter, and then the music: a sensory time-machine that made me remember things I forgot I had forgotten. I kept thinking that everyone else should be there, not just me and Chris, but all the friends I had sloughed off of me through processes of betrayal and back-stabbing. In between the opening act (Elvis Costello, who did a cool version of "Allison" with Sting himself) and the main event, we set off to find the bathrooms but instead actually did discover an old friend, Jennifer. If Chris is the keeper of my old secrets, then Jenn is the keeper of my hardest self. During our senior year Jenn and I were always together (Chris was working in Maryland as a nanny then), rebellious and angry and stupid. I made many life-changing decisions that year, and the Amy Jenn knew was almost nothing like the Amy I am now.
Jenn and I both nearly cried when we saw each other. Maybe we both felt the same way: that the other held memories that almost no one else does. What I wanted the reunion to feel like was equal, three old friends comparing life stories. A scene from a book. Instead I felt vaguely ashamed of my current existence, the smallness of a small-town librarian and mother. What happened to all that fiery ambition we both used to have? She’d done something with hers (ad-agency employee approving press passes and doing other glamorous things), but it was hard to confess I still haven’t managed to accomplish much. Plus, she’s still rail-thin (she always was) while I am...well, not.
After Chris and I said good-bye to Jenn (with promises of keeping in touch) and finally made it to the bathroom, I found myself thinking about that Amy I used to be, the one whose environment was founded in rebellion-as-religion. My greatest contempt was for people who seemed to be pretending. (Still is, really.) And yet, standing there surrounded by ghosts, dancing a bit to "Message in a Bottle," I wondered: when was I pretending? Was my down-with-church, vodka-drinking self who I really am? Or is it the person I am now, trying to live my religion and be a good mother, feeling guilty over not achieving housewifery-goddesshood? They are two nearly black-and-white different versions of myself, and I’m not sure which is the authentic one.
But what I did decide: I wasn’t ever pretending when it came to music. That is the truest face of my goth-girl incarnation, loving good music. How many concerts have Chris and I gone to together? Erasure and Boingo and Depeche Mode and INXS and Book of Love. Jenn and I, too: PIL, Peter Murphy, Ministry at the Speedway Café. I still listen to a ton of the same music I listened to at 17, or to musicians who were influenced by those bands. It wasn’t until the first encore, though, that I remembered just exactly what I loved most about The Police: their song "King of Pain." When they played it, another mini time-travel machine shoved me back to my despondent adolescent nights, when my soul really did feel like a black spot caught up there. It is good, despite my unsurity of authenticity, to no longer feel that black despair.
Twenty years ago, when Chris and I went to see Erasure together, going to a concert wasn’t just about the music. It was also about keeping an eye out for spottings of The Boy (the one you loved beyond reason or hope), or perhaps even sitting with him for a few minutes and feeling that never-to-be-repeated feeling of pure, hormone-edged adoration; about illegal substances snuck into the concert in the hidden inner pockets of leather jackets; about wild abandon. Now, of course, it’s about hanging out with old friends and telling yourself you deserve an evening away, worrying about traffic afterwards, checking the cell phone for missed calls from the kids. And about old friendships themselves, how they carry that unseen bundle of memory and old selves. How they matter as much because of the past as of the present. But it’s still about the music, how it weaves, somehow, around nearly every one of those old memories and old selves. Along with Chris, it was music I took with me from that Amy version, and I am glad to have both.
Wednesday, July 23, 2008 in Music Commentary, Post-Goth | Permalink | Comments (11) | TrackBack (0)