When I was a kid, I spent a lot of time in our backyard. I'd be out there for hours practicing as much of my bars routine as I could on the swing set. I'd play with our dog Brittney or with one of the cats. Before Dad put the fence up, I'd wander around the corn field behind our property, watching morning glories to see if I could spot them opening or closing. (The farmer who owned the field did not like my wanderings, and I was afraid of him, but I liked that cool, dirty, peaceful wandering too much to let fear stop me.) Or I'd move my favorite chair (a rocking lawn chair with bright green floral canvas upholstery) into my favorite spot on our shady patio, the west corner by the peach tree, and read all afternoon.
Sometimes Becky would come outside with me, but in my clearest memories, I am alone—except I can hear the kids who live on the other side of the field. I was happy in my little backyard paradise, but I was also lonely. It's strange: I talked to Kendell just this weekend, when we went out to dinner, about that lonely kid, and how I can't really say she's just who I used to be since I feel like she's still here; then I found myself thinking about her again this Easter Sunday, when we sat on the patio together, eating dinner.
By "we" I mean a lot of people: my kids and husband, my sisters, my mom, my brothers-in-law, two of my nieces and one of their husbands. The little kids were playing in the grass, laughing and chasing and pushing the babies on the swing. While we ate dinner, I made sure to sit in my favorite spot on the patio, which I still love even though the peach tree and the chaise are gone. I especially love it on spring afternoons and evenings, when the sun hits the back of your head so you are both in shade and sunlight at the same time. It has long been a place of solace for me, that spot in the backyard. Perhaps even a holy place, sometimes.
I ate last because I was avoiding the first rush at the food, and then I took some photos of Haley with her boyfriend Adam who came to the party but had to leave early. When I came back to my food, all the grown ups and the teenagers had gathered around the table, and as I ate we started talking. Random stuff at first, and then something hard my sister is experiencing, and then, somehow, to our teenage exploits. As we talked and laughed, I found myself sitting back. Not talking, almost not listening to the stories. Just settling myself; just letting that specific moment sink into my bones so I could keep it, somehow, forever. Between my sister and my daughter. All of us laughing. Sharing sorrow and wisdom.
I always love my family. But in that hour of talking, laughing, crying a little, eating a bit, I loved them so much. Enough that I didn't mind my old ghosts being brought up (Yes, I did sluff an entire semester of high school my junior year), which sometimes bothers me. I loved them and I wanted to keep that feeling. I thought of my dad, who one day—perhaps a spring afternoon like this one, lovely and warm with just a slight breeze to keep the edge off, and the mountains still snowy and the grass turning green—stopped pruning the honey locust in the backyard and left his saw in the crotch; it's still there, every year swallowed a little bit more by living tree. I thought about last year and how I thought it would be the last year we did this, and how I am glad we had one more, just so we could have that moment. I thought about our strangeness and our wrong choices and the paths we've taken. I thought about all the things I hoped for myself and the things I still hope my children obtain.
I thought about that lonely girl I used to be.
I cannot say the loneliness is cured. But in that moment—it was gone. I held the memory of my childhood self in the cup of my mind and wished I could tell her, somehow: not always. There will be people you can't imagine yet who will love you.
There were Easter eggs this year, colored by my kids who were all, even Kaleb, slightly disinterested. There was a lovely service at church. I made my favorite cake; we had Easter baskets and chocolate and even Peeps. The kids hunted for eggs. But that time on the patio: that was Easter to me, the best Easter thing, better even than my favorite caramel-filled chocolate eggs. The sense of time folding which can happen in the places we felt something intensely, as if the emotion left an echo you can still feel years later. That old loneliness whispered to me, but I could whisper back to it something more comforting.


The Police: A Concert Review of Sorts
This summer marks the 20-year anniversary of my friend Chris and I meeting. Something far larger than me made sure we were in the same group at our telemarketing jobs, and we became instant friends—kindred spirits, you might say. She was one of my adolescent years’ biggest blessings; it is hard to explain what she means to me. Like no one else in my group of high-school friends, she had my back. She knew me and loved me and even took care of me when I was at my most unlovable phase. She is the keeper of all my past secrets. But we don’t get to see each other enough, now that we’re all grown up. So when the chance came up—even though I felt guilty about leaving my kids for the night—I went to The Police concert with her.
And I am so glad I did.
Because going to a concert like that reminds me of how it felt to be my old self. The scents of beer, cigarette smoke, bodies, warm grass, surrounded by pieces of conversation and laughter, and then the music: a sensory time-machine that made me remember things I forgot I had forgotten. I kept thinking that everyone else should be there, not just me and Chris, but all the friends I had sloughed off of me through processes of betrayal and back-stabbing. In between the opening act (Elvis Costello, who did a cool version of "Allison" with Sting himself) and the main event, we set off to find the bathrooms but instead actually did discover an old friend, Jennifer. If Chris is the keeper of my old secrets, then Jenn is the keeper of my hardest self. During our senior year Jenn and I were always together (Chris was working in Maryland as a nanny then), rebellious and angry and stupid. I made many life-changing decisions that year, and the Amy Jenn knew was almost nothing like the Amy I am now.
Jenn and I both nearly cried when we saw each other. Maybe we both felt the same way: that the other held memories that almost no one else does. What I wanted the reunion to feel like was equal, three old friends comparing life stories. A scene from a book. Instead I felt vaguely ashamed of my current existence, the smallness of a small-town librarian and mother. What happened to all that fiery ambition we both used to have? She’d done something with hers (ad-agency employee approving press passes and doing other glamorous things), but it was hard to confess I still haven’t managed to accomplish much. Plus, she’s still rail-thin (she always was) while I am...well, not.
After Chris and I said good-bye to Jenn (with promises of keeping in touch) and finally made it to the bathroom, I found myself thinking about that Amy I used to be, the one whose environment was founded in rebellion-as-religion. My greatest contempt was for people who seemed to be pretending. (Still is, really.) And yet, standing there surrounded by ghosts, dancing a bit to "Message in a Bottle," I wondered: when was I pretending? Was my down-with-church, vodka-drinking self who I really am? Or is it the person I am now, trying to live my religion and be a good mother, feeling guilty over not achieving housewifery-goddesshood? They are two nearly black-and-white different versions of myself, and I’m not sure which is the authentic one.
But what I did decide: I wasn’t ever pretending when it came to music. That is the truest face of my goth-girl incarnation, loving good music. How many concerts have Chris and I gone to together? Erasure and Boingo and Depeche Mode and INXS and Book of Love. Jenn and I, too: PIL, Peter Murphy, Ministry at the Speedway Café. I still listen to a ton of the same music I listened to at 17, or to musicians who were influenced by those bands. It wasn’t until the first encore, though, that I remembered just exactly what I loved most about The Police: their song "King of Pain." When they played it, another mini time-travel machine shoved me back to my despondent adolescent nights, when my soul really did feel like a black spot caught up there. It is good, despite my unsurity of authenticity, to no longer feel that black despair.
Twenty years ago, when Chris and I went to see Erasure together, going to a concert wasn’t just about the music. It was also about keeping an eye out for spottings of The Boy (the one you loved beyond reason or hope), or perhaps even sitting with him for a few minutes and feeling that never-to-be-repeated feeling of pure, hormone-edged adoration; about illegal substances snuck into the concert in the hidden inner pockets of leather jackets; about wild abandon. Now, of course, it’s about hanging out with old friends and telling yourself you deserve an evening away, worrying about traffic afterwards, checking the cell phone for missed calls from the kids. And about old friendships themselves, how they carry that unseen bundle of memory and old selves. How they matter as much because of the past as of the present. But it’s still about the music, how it weaves, somehow, around nearly every one of those old memories and old selves. Along with Chris, it was music I took with me from that Amy version, and I am glad to have both.
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